J609.92/T2-1.47 | Telemann,Georg Philipp:Musikalische Werke | Telemann,Georg Philipp | Barenreiter |
J609.92/T2-1.48 | Georg Philipp Telemann | | Barenreiter Kassel |
J609.92/V1 | Encounters with Verdi | ed.by Marcello Conati | Cornell University Pr |
J609.92/V1-2 | Rigoletto,trovatore and traviata:Verdi's middle period masterpieces on and off the stage | McCants,Clyde T | McFarland & Co |
J609.92/V1-3 | Leonora's last act | RogerParker | Princeton University Pre |
J609.92/V2 | Amico:the life of Giovanni Battista Viotti | Lister,Warwick | Oxford University Pr |
J609.92/V3 | Vivaldi | | Cambridge music handbook |
J609.92/V3-2 | Vivaldi | [by] Michael Talbot | Oxford UP |
J609.92/W1 | Webern and the Lyric impulse | Shreffler,Anne C | clarendon Pr |
J609.92/W1-2 | Webern studies | edited by Kathryn Bailey | Cambridge University Pre |
J609.92/W1-3 | life of Webern | Kathryn Bailey | Cambridge University Pre |
J609.92/W2 | My life | Wagner,Richard | Cambridge Univ. Pr |
J609.92/W2-2 | Wagner compendium | edited by Barry Millington | Schirmer Books, Maxwell |
J609.92/W2-3 | Richard Wagner and his world | edited by Thomas S. Grey | Princeton University Pre |
J609.92/W2-4 | Wagner on music and drama | Translated by H. Ashton Ellis | E. P. Dutton |
J609.92/W2-5 | Richard Wagner | Michael Saffle | Routledge |
J609.92/W3 | Carl Maria von Weber | Warrack,John | Cambridge Univ. Pr |
J609.92/W4 | A Pioneering twentieth century African-American musician | Ames,Jeffery | VDM |
J609.92-7/B1 | Johannes Brahms | Platt,Heather | Routledge |
J609.92-7/B1-2 | Brahms and the Scherzo:studies in musical Narrative | McClelland,Ryan | Ashgate |
J609.92-7/B2 | Samuel Barber:a research and information guide | Wentzel,Wayne C | Routledge |
J609.92-7/G1 | Alberto Ginastera | Deborah Schwartz-Kates | Routledge |
J609.92-7/H1 | Paul Hindemith:A research and information guide | Luttmann,Stephen | New York |
J609.92-7/H2 | G.F. Handel | Mary Ann Parker | Routledge |
J609.92-7/M1 | Olivier Messiaen:a research and information guide | Benitez,Vincent P | Routledge |
J609.92-7/M2 | Gustav and Alma Mahler | Susan M. Filler | Routledge |
J609.92-7/S1 | Roger Sessions:a biography | Olmstead,Andrea | Routledge |
J609.92-7/S2 | Heinrich Schenker | Benjamin McKay Ayotte | Routledge |
J609.92-7/W1 | Adrian Willaert | David M. Kidger | Routledge |
J611.1-62/B1 | Handbook for sound engineers | Ballou,Glen M | Focal Pr |
J613.1/P1 | Essential ear training for today's musician | Prosser,Steve | Berklee Pr |
J613.2/7763 | Score reading | Michael Dickreiter ; translated by Reinh | Amadeus Press |
J613.2/B1 | Perspectives on notation and performance | ed.by Benjamin Boretz,Edward T.Cone | Norton |
J613.2/R1 | notation of western music | Richard Rastall | Travis & Emery |
J614.2/G1 | The principles and practice of modal counterpoint | Green,Douglass M., Jones,Evan | Routledge |
J614.2/Y1 | Bach and the meanings of counterpoint | David Yearsley | Cambridge University Pre |
J614.2/Z1 | The Art of counterpoint | Zarlino,Gioseffo | Norton |
J614.3/R1 | Sonata forms | by Charles Rosen | Norton |
J614.917/J1 | Mahler's voices:expression and Irony in the songs and symphonies | Johnson,Julian | Oxford University Pr |
J614.919/D1 | medieval lyric | Peter Dronke | D.S. Brewer |
J614.92/D1 | rise of romantic opera | Edward J. Dent ; edited by Winton Dean | Cambridge University Pre |
J614.927/A1 | Donizetti and his operas | Ashbrook,William | Cambridge U.P |
J614.927/A1-2 | Puccini's Turandot | William Ashbrook and Harold Powers | Princeton University Pre |
J614.927/B1 | W.A.Mozart | Bauman,Thomas | Cambridge U.P |
J614.927/B2 | Benjamin Britten | Brett,Philip | Cambridge U.P |
J614.927/B3 | W.A.Mozart | Branscombe,Peter | Cambridge U.P |
J614.927/B4 | W.A.Mozart | Brown,Bruce Alan | Cambridge University Pre |
J614.927/B5 | Richard Wagner, Parsifal | Lucy Beckett | Cambridge University Pre |
J614.927/B6 | Verdi's Aida | collected and translated by Hans Busch | University of Minnesota |
J614.927/C1 | Giacomo Puccini | Carner,Mosco | Cambridge University Pr |