2012年3月新进西文文献通报
发布时间：2012-03-20 点击数：390
| 索取号 | 正题名 | 责任者 |
| 564/B4 | Songs from "the occasions | Robert Beaser |
| 719/B40-2 | Double chorus | Robert Beaser |
| 719/B40-3 | Manhattan Roll | Robert Beaser |
| 719/B41-3 | Parerga | Hans-Jurgen Von Bose |
| 941/G7.2 | Second book of practical studies for flute | Guenther,Ralph |
| 942/B23-2 | Variations for flute & piano | Robert Beaser |
| C93/A1 | Festival & special event management | Johnny Allen...[et al.] |
| I106.3/C1 | The African American theatrical body | Soyica Diggs Colbert |
| J60/A4 | Dadakuada | Taiye Adeola |
| J60/B10 | Popular music | Tara Brabazon |
| J60/B9 | The provocation of the senses in contemporary theatre | Stephen Di Benedetto |
| J60/G5 | The Oxford handbook of neo-Riemannian music theories | edited by Edward Gollin and Alexander Re |
| J60/K8-5 | Introduction to a philosophy of music | Peter Kivy |
| J60/K8-6 | The corded shell | Peter Kivy |
| J60/K8-7 | Authenticities | Kivy,Peter |
| J60/L6 | The Complete musician | Steven G.Laitz |
| J60/L7 | Music as an element in establishing a destination's identity | Morakeng Edward Kenneth Lebaka |
| J60/R5 | Junior Broadway | by Beverly B. Ross and Jean P. Durgin |
| J60/R6 | Language and music as cognitive systems | ed.by Patrick Rebuschat...[et al.] |
| J60/R7 | An eye for music | John Richardson |
| J60/T7 | Performance affects | James Thompson |
| J60-05/K2 | Music, language, and cognition | Peter Kivy |
| J60-051/K2 | Unfinished Music | Kramer.R |
| J60-054/O1 | Musical creativity | Oscar Odena |
| J607.337/M1 | Burma's Pop music industry | Heather MacLachlan |
| J607.445/Y1 | Music and dance traditions of Ghana | Paschal Yao Younge |
| J607.562/R1 | Music,Emotion and identity in Ulster Marching Bands | Gordon Ramsey |
| J607.712/M3 | Whiting up | Marvin McAllister |
| J607.712/W2 | From Jim Crow to Jay-Z | Miles White |
| J607.77/E1 | walking and singing and following the song | Werner Ewald |
| J608.9/B1 | Sonic liturgy | Guy L.Beck |
| J609.1/R1 | The flower of paradise | David J. Rothenberg |
| J609.109/L1 | Sources and the circulation of renaissance music | [edited by] Mary S. Lewis |
| J609.3/L1 | Non-Western popular music | [edited by] Tony Langlois |
| J609.332/W1 | Sacred Music as public image for Holy Roman Emperor Ferdinand III | Andrew H.Weaver |
| J609.5/C10 | Performing pain | Maria Cizmic |
| J609.5/S14 | Institutions and patronage in Renaissance Music | ed.by Thomas Schmidt-Beste |
| J609.516/F2 | Germany in the loud twentieth century | edited by Florence Feiereisen and Alexan |
| J609.712.7/M2 | Musical Echoes | Carol Ann Muller, Sathima Bea Benjamin |
| J609.712/H | Music of the 1990s | Thomas Harrison |
| J609.712/H4 | Transposing Broadway | Stuart J.Hecht |
| J609.73/J1 | Behind Spanish American footlights | Jones,Willis Knapp |
| J609.91/D2 | The folk music revival，1958-1970 | David Dicaire |
| J609.91/D3 | Crossing paths | John Daverio |
| J609.91/G4 | A knight at the opera | Leah Garrett |
| J609.91/K6 | The possessor and the possessed | Peter Kivy |
| J609.91/M4 | Vanishing sensibilities | Kristina Muxfeldt |
| J609.91-61/K1 | The encyclopedia of country music | Paul Kingsbury |
| J609.92/A8 | Friendly remainders | Murray Dineen |
| J609.92/B3-27.1 | The creative development of Johann Sebastian Bach | Richard D.P.Jones |
| J609.92/B3-28 | The Reception of Bach's organ works from Mendelssohn to Brahms | Russell Stinson |
| J609.92/B3-29 | Hearing Bach’s Passions | Daniel R. Melamed |
| J609.92/B4-22 | Lateness and Brahms | Margaret Notley |
| J609.92/B43 | Monarch of the flute | Nancy Toff |
| J609.92/B44 | David Baker | Monika Herzig ; with contributions by Na |
| J609.92/B45 | Carla Bley | Amy C. Beal |
| J609.92/B7-44 | Beethoven's Diabelli variations | William Kinderman |
| J609.92/B7-45 | Beethoven in America | Michael Broyles |
| J609.92/C10-3 | Music for the common man | Elizabeth B. Crist |
| J609.92/G10-2 | Enrique Granados | Walter Aaron Clark |
| J609.92/H18 | The seventh sense | Peter Kivy |
| J609.92/H19 | Preachin' the blues | Daniel Beaumont |
| J609.92/I2 | The John Ireland companion | ed.by Lewis Foreman |
| J609.92/K14 | Bismillah Khan | Juhi Sinha |
| J609.92/L1-13 | Liszt as transcriber | Jonathan Kregor |
| J609.92/L1-14 | Liszt's transcultural modernism and the hungarian-Gypsy tradition | Shay Loya |
| J609.92/L14 | Josephine Lang | Harald Krebs, Sharon Krebs |
| J609.92/L5-2 | John Lennon | Jacqueline Edmondson |
| J609.92/M10-28 | Mahler's Fourth symphony | James L.Zychowicz |
| J609.92/M30-2 | Giacomo Meyerbeer | by Jennifer Jackson |
| J609.92/M32 | Starring Madame Modjeska | Beth Holmgren |
| J609.92/M33 | Lata:voice of the golden era | Mandar V.Bichu |
| J609.92/M34 | Charles Munch | D.Kern Holoman |
| J609.92/P25 | The Argumentative theatre of Joe Penhall | Boles,William C |
| J609.92/S12-12 | Jean sibelius | Tomi Makela |
| J609.92/S3-12 | Fantasy pieces | Harald Krebs |
| J609.92/S34 | Roger Sessions：how a "difficult" composer got that way | Frederik Prausnitz |
| J609.92/W18 | Samuel Sebastian Wesley | Peter Horton |
| J609/N1 | Heartbeat of the university | John Norberg |
| J614.92/L2 | The phantom of the opera | Leroux,Gaston;translated with an introdu |
| J614.927/W3 | Recognition in Mozart's Operas | Waldoff, Jessica |
| J617.6/B4 | Victory through harmony | Christina L. Baade |
| J617.6/K3 | Music in the western | ed.by Kathryn Kalinak |
| J619.5/T1 | Musical theatre,realism and entertainment | Millie Taylor |
| J619/D1 | Audio engineering 101 | Timothy A.Dittmar |
| J619/P5 | The oxford handbook of sound studies | ed.by Trevor Pinch, Karin Bijsterveld |
| J619/T2 | Place, writing, and voice in oral history | edited by Shelley Trower |
| J619/W3 | Using technology to unlock musical creativity | Scott Watson |
| J621.1-7/G1 | The recorder:a research and information guide | Richard Griscom, David Lasocki |
| J621.29/V1 | That Moaning saxophone | Bruce Vermazen |
| J622.1/K1 | Violin technique exercises and scales | Rami Kanaan |
| J622.1/W1 | Augusta read Thomas and her second violin concerto "Carillon Sky | Mei-Fang Wang |
| J70/B1 | Dance studies | Jo Butterworth |
| J705/B1 | Dancefilm | Erin Brannigan |
| J80/F1 | To have or have not | ed.by James Fisher |
| J80/G1 | Text & presentation,2010 | ed.by Kiki Gounaridou |
| J80/K1 | The spectator and the spectacle | Dennis Kennedy |
| J809.41/A1 | The theatres of Morocco，Algeria and Tunisia | Khalid Amine, Marvin Carlson |
| J809.545/A1 | Archaic and classical choral song | edited by Lucia Athanassaki and Ewen Bow |
| J809.561/B1 | Playing to the crowd | Frederick Burwick |
| J809.561/B2 | Theatre, community, and civic engagement in Jacobean London | Mark Bayer |
| J809.561/C1 | Twentieth-Century British theatre | Claire Cochrane |
| J809.562/G1 | Theatre in Dublin,1745-1820 | Greene,John C |
| J809.562/G1 | Theatre in Dublin,1745-1820 | Greene,John C |
| J809.712/D1 | Baggy pants comedy | Andrew Davis |
| J809.712/M1 | Living with lynching | Koritha Mitchell |
| J809.9/F1 | Radical Shakespeare | Chris Fitter |
| J809.9/H1 | Self and space in the Theater of Susan Glaspell | Noelia Hernando-Real |
| J809/D1 | The oxford handbook of Early modern theatre | ed.by Richard Dutton |
| J809/R1 | Trusting performance | Naomi Rokotnitz |
| J812/K1 | An actor’s craft | David Krasner |
| J993.51/R1 | Travels of Bollywood cinema | ed.by Anjali Gera Roy, Chua Beng Huat |
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